Showing posts with label heroes. Show all posts
Showing posts with label heroes. Show all posts

9.18.2009

Mild-Mannered Physicist or Interplanetary Hero?

"This is the incredible true story of a physicist who believed he could project himself to another solar system and live as a swashbuckling interplanetary adventurer. When he was a teenager and living on a Polynesian island, he had read a series of "strange and adventurous" science fiction / fantasy books by an American writer. The protagonist shared his name, and eventually the physicist started thinking he really was the character. But he was still able to maintain a dual identity -- he sort of "astral projected" into that fantasy world while keeping the appearance of a skinny-tie wearing physicist." [via boingboing]


What strikes me as incredible is that this man brought to his court-ordered psychiatrist over 12,000 pages of painstakingly detailed stories, histories, architectural and sociological facts, all gathered from what, if not madness, was the product of an immensely hyper-active imagination. The physicist actually lived in that sci-fi world, to the extent that his psychiatrist feared curing the delusion might kill him. As someone who has intentionally created a complex and interwoven internal reality/story from dreams (which leads me to say that I have lived twice as much as those who don't dream, and the second life much wilder), I am fascinated and a little horrified, knowing very well the danger that lies in taking your fantasies to be more real than the normative reality, just as real, yes, but when our ability to take care of ourselves or others is threatened by just not paying enough attention, or acting out from the wrong attention: that way does lie madness. But not because you see things, that's still a real experience, communicated as best it can be.

I am reminded of the outsider artist Henry Darger (best depicted In the Realms of the Unreal), creating an elaborate mythology of armies of little girls till he died unknown in his attic and his neighbors found the bizarre 15,000 page illustrated manuscript. Talk about tomes. To some degree great works seem to take actually existing in these fantastic other places for extended periods of time, whole lives, yet we still have to do what we have to to be here, because living is a great work as well.

5.15.2009

The Arch Nemeses

Red Arrow looked out over the Metropolis, his cape languid in the stale boardroom air. Through the dirty ninety-ninth story window he couldn’t see anyone on the street below, but he knew they were out there, the bustling crowds, the criminal element. For every happy, law-abiding citizen walking the well-lit streets there was a nefarious opposite, like a shadowy doppelganger already out stealing purses, raping, murdering, heedless of the police lounging ineffectually around the corner. What were the statistics this year? It made him shiver. Back home, in his small Michigan town, Red Arrow knew all his neighbors by name; it was enough to catch the ne’er-do-wells just to appear in a flash, your mask and gauntlets shimmering in the righteous streetlights. He didn’t know how they did it, Fox Fire, Green Scorpion, the Queen of Hearts, these big city superheroes, who were only just as human, justice chained to the costume. But that’s why, he supposed, they founded the World Superhero Registry, so that the various local crime-fighting networks and justice societies could work together, patrol all the turf, make the world a safer place for everyone.

And safe the world they did. That’s why the whole Registry was gathered here in Doktor D’s penthouse lair, to celebrate a hundredth capture, Black Arrow busting up an illegal dumping operation down in the bay. The room was decked in her colors, black and purple streamers draped over the Dok’s criminal watch charts and armory, Nix and Nostrum slow dancing like black cats or ninjas, Geist Green Scorpion, and The Eye comparing the cut of their trench coats, swapping tips on not getting caught in elevator doors. Red Arrow it seemed was the only hero not enjoying himself – maybe Black Arrow too, collapsed tipsy in the corner singing old Wobbly songs in her self-congratulation – wondering, what evil deeds are being performed in our absence tonight?

But wait, Doktor DiscorD is also discontent, scrolling through data on his Disconsole computer system as if it were about to catch fire, and then leaping up! Do you ever wonder, he captures the room, red and blue goggles especially piercing the arrow on Red Arrow’s forehead, why none of us has an arch nemesis? Everyone shifts gazes. Captain Jackson looks queasy (that fake public service motherfucker).

It’s simple really, Geist begins, the government told us not to pry into torture, piracy, or the subprime market if we wanted to get licensed… Tothian adds: I’m after Bin Laden.

Wrong answer! The Doktor, sewing his casual chaos. No one’s threatened us yet, our existence, you see? Any nemesis must be opposed to the very supernature of our being. Take these guys, for instance, these mad scientists. Wait, what’s up Dok? Everyone rushes in closer.

No, it’s just a bunch of professors and respected physicists deary, the Queen of Hearts titters. But look, they’re studying paranormal phenomena: precognition, remote viewing, telekinesis. I tell you it’s the White Visitation all over again, Darpa spending four million on “neural-signal” communications research.

Silent Talk? What’s this, some telepathic Pynchonian phantasia? Fox Fire furious behind his faux fur mask. Amazonia growls. We’re superheroes God damn it, not ghost hunters!

They’re about to turn on each other, the party collapsed to a superbrawl, when Red Arrow yells Stop! and flashes the team with a red-gelled flashlight beam – a neat trick, he’s found, the advantage to get a solid punch in, like to sock the Captain right now for that one time… but hold it! – The Doktor’s right. Listen, if they develop mind-reading soldiers, Johnny Law who can stop bullets with his bare hands… we’ll be out of business!

It’s worse than that, Doktor DiscorD dons a maniacal smile, if mankind can learn to tap into the powers of the cosmos then we will no longer have the right to call ourselves superheroes. We will be no more special than any man or woman, glitzing up in costume to perform a citizen’s arrest. We must strike first, our arch nemeses await. Who’s with me?

1.02.2008

We are the heroes of our own dreams

A recent article at Psychology Today suggests that dreams may serve the function of training us for how to deal with threats. Citing the vast number of nightmarish and negative dreams over fantasies and problem solving, researchers believe that dreams may be a practice-place for understanding how to respond to real-world difficulties, even to the point of suggesting that all those nightmares of zombies and aliens are really misappropriated imagery that fills the old evolutionary role of running from the saber-tooth tigers.

Robert Stickgold however, holds that dreaming is much more complex than rehearsal. He points, for example, to the ability of sleep to allow us to integrate and consolidate knowledge, or to come up with novel and artistic solutions. During sleep, our brains are making sense of the world, discovering new associations among existing memories, looking for patterns, formulating rules. "That's how we create meaning," says Stickgold. "Our brain puts things together."

Personally I agree that dreams can help us deal with threats, and help integrate our knowledge about the world, but even still there is some element of the fantastic, the joking and playful, the absurd, that dreams can always present to us, even in our most "realistic" dreams, that suggests to me something above and beyond a mere flight response. Perhaps dreams allow us not only to integrate our knowledge of the world, but articulate a deeper sense of personal relationship to this world, and everything that may or may not happen in it.



Last night I watched Paprika for the third time, which, in the opinion of someone who admittedly has been paying attention to the depiction of dreams in media since about third grade when I discovered Little Nemo in Slumberland, is a rather stunning depiction of the sheer insanity, intricate symbolism, and metaphysical speculation that I have always associated with dreaming. In the chaotic parade of all things under the sun, the use of Jungian archetypes fighting against Freudian repressions, imagistic leitmotifs that accompany each character, or the final idea that perhaps all our dreams are connected, this movie, based off the book by Yasutaka Tsutsui (that was apparently based off the authors own dreams and I desperately wish was in an English translation), certainly does not depict dreams as being a mere "threat-evasion" or problem solving technique, but a true reveling ground of the psyche and all that is possible in the human imagination.

10.01.2007

A Personal Myth (fiction)

A Personal Myth (fiction)

Before the World, all was dark, an empty voracious night called the Dream. At the heart of this Dream lay the Maelstrom, a blind crawling chaos with eight thousand hoary legs skittering out into the void. The Maelstrom had no parents, no progeny, but had woven a great Web from her womb that stretched to the ends of the Dream, and she slept in the middle of this Web, waiting, and dreaming all the possible things that might one day be. She dreamt of animals, constructions, man, and each Form she dreamt was drawn by her legs into the Web, there the Forms hung frozen in the Dream, ready for her to consume, and digest them back into chaos to be spun again.

One such dream was a man named Murphy, who likewise had no history, having just been dreamt. But on seeing that all the scattered Forms around him were being drawn slowly into the monster’s gaping maw decided that he would not be eaten and returned back to the unformed chaos. The Maelstrom’s Dream had grown so large by now that there were endless places to hide; one could wander for lifetimes in any direction through the strange frozen Forms without ever once escaping the Web. Murphy realized that if he were to combat the Maelstrom, he too would have to dream, imagining a Sword, a great Knowledge, and a Reflection of himself to act as a decoy, as food for the beast while he waited in the shadows, ready to slay her.

And so Murphy dreamt, and waited, and soon he had his Sword and Knowledge, and the Maelstrom’s legs reached for the Reflection to draw it into her jaws, and still he waited, at the edge of the Dream, for that moment when the Maelstrom was busy consuming his Reflection, and he would be able to strike. And as planned, she ate. The Reflection was slowly ground down in endless rows of jagged teeth into shimmering shards that were scattered to the edges of the Night, becoming Stars. All the while the Maelstrom hummed a low tuneless melody to herself, as it was all the same to her what she ate, a screaming man or his mute reflection, for she was the dark itself, which consumes all things. Then Murphy raised his Sword, its edge sharpened to pierce his toothsome foe, and he slashed down through the Web, through the Dream, and cleaved the Maelstrom in two. Each of the Maelstrom’s halves reared up to attack, one of them raked its great pincers across the side of his face so that his left Eye was torn and blinded. But Murphy was too close to the Dream’s core for the Maelstrom’s halves to grasp him.

He slashed again, and a third time, each slice further subdividing the Maelstrom until it was sundered into a thousand pieces, each no bigger than a man’s hand, eight-limbed miniatures of their Mother’s pattern, all skittering about at Murphy’s feet. The Hero, for that’s what he had become for this half-formed Dream, summoned his great Knowledge and called the creatures “Spider,” a grave insult he had overheard in the Maelstrom’s sleeping murmurs. Murphy banished the Spiders to the edges of the Dream, where they might bide in the dark corners in their own small webs, but never come back together to overwhelm the Dream. With his foe thus fought, and her remnants dispersed, Murphy planted the Sword in the darkness beside him. And then he smiled, which was like a glimmer of Light for the first time striking the dark World. The battle had made him tired, so gathering the cut strands of the Web around him like a blanket, he laid in the center where the Maelstrom had lay, and had a Dream of his own.
As he slept, Murphy grew, until his body filled the void. His ribs became the rocky earth, his fingers blossomed into flowers and trees, and his blood flowed into rivers and seas. He dreamt that his head would become a castle, but it continued to expand until it was a mountain whose peak brushed the Sky and looked down over the whole young World. His Eyes took flight, and chased each other around the Sky, the whole one shedding such a glorious Light that it illuminated everything below, and the torn Eye reflecting as best it could, following the glowing orb as a sullen moon. And above their orbit, his haughty brow formed the dome of Space, and his hair tangled with the Stars of his shattered Reflection. And so the World came into being and was quickly populated with Murphy’s imagination, all life a Dream to stave off the uncertainty that lies in the darkness of night.

Murphy had but one law for his newborn Dream: that whatever could happen would happen, with as much glory and wonder as might be brought forth into the World. However, being only a young World, he was mightily alone, and could dream only those Forms that he had seen hanging in the Maelstrom’s Web. The next day, Murphy’s strong Eye arched over the whole World while his other Eye struggled to catch up, shedding its meager gaze through the night. Murphy reflected on the Forms he had seen and how he might make sense of their disorder, all chaotic from being hung in the limbo of the Web. Murphy took one Form into his hands, and called it a Book, and when next his Eye illuminated the land, he transcribed what he saw into the Book. Later, as he lay in his castle on top of the mountain, he reflected over what had been written, naming the Forms and sorting them out into Classes and Orders: those that moved and those that were rooted, those that had no life, and those which were invisible, spirits or forces he could only see by their affect on the others; that which stirs water, that which melts snow, that which weighs on beasts and reduces them to bones. Murphy watched his World, and wrote, and soon filled the whole Book, which he closed with another bright smile, feeling that he had now ordered everything in its right place.

Yet when next his Eye rose Murphy looked closer and was shocked, and looked closer still at his World. For he saw that where there had been only enough Forms to fill a Book, now there were Details, each Form its own small World of infinite variations. And Murphy realized that he would have to write another Book, several Books, a Book for each Form, which he started at once, each day focusing his Eye on all the Details of just one Form. He wrote intensely, setting each finished Book on a shelf in his keep, but soon realized there would be little room left to sleep, and he would have to do something with this endless library. Being ever resourceful, as this was his own Dream after all, Murphy erected another story to his castle, and another story after that, filling each with Books and moving his bed ever closer to the Sky.

But still he had but scratched the surface of recording everything in his domain, and rarely going down to the lowest stories of his castle anymore became afraid, that he might forget something that he had written, that he might accidentally record something twice. This thought filled Murphy with much confusion, over what a doubling of Forms might mean (for he felt still somewhat guilty for casting his Reflection into the Maelstrom’s jaws). So one night he hurried down the Book-lined stairs, determined to take note of what each volume contained, and if possible devise a catalogue, an Order of Orders, which was more work and Words, but he had an eternity to fill with Words, his only companion. So he descended and descended and somewhere on the second story he began to notice Webs, thick draping dust which sent a chill down his spine. Having built his knowledge up to the Sky, Murphy had left his earliest words to rot and ruin. For roping up his earliest tomes, and shredding them back into chaos, was a Spider, still a slivered reflection of its Dark Mother’s horror. Had it not obeyed his banishing Words? He called it Spider again, but still it spun a web that threatened to tear his Words asunder and reduce them back into unknown Forms.

Murphy rued that he had planted his Sword on the roof of his castle, where it had grown to be a Tree of enormous girth, whose branches gave shade and sweet fruit to his whole World. If only he had the Sword now he might slay this intruder. But at the very thought of his dark, dividing blade, the Spider trembled and turned and straightaway leapt towards Murphy, its jaws snapping wide to avenge its Mother’s murder. Unarmed and in profound terror, Murphy turned and fled, scattering stacks of precious manuscripts in his flight. Up story after story he fled, racing to the top of his tower, with the Spider eating his every footstep, not more than a pace behind and growing larger as it climbed, filing the entire castle with its chaotic binds.
Once upon the roof Murphy didn’t dare stop, but climbed right up the Tree, what had once been his Sword, struggling up the branches towards the overhanging void of the Sky. In his haste the branches were stripped bare and became bones, their fruit made quick into beating organs. But Murphy had no time to marvel at this transformation, for the Spider was rapidly gaining. Glancing back, Murphy swore that it was a Spider no more, but the Mother, the very Maelstrom herself come back to torment him, to finish what she started when she first spun his Form. So Murphy climbed, and wondered that the Tree had no end in sight and seemed to breathe and sigh as he rushed up higher. Indeed it rose so high that its branches pierced the Sky, and Murphy clambered out through this hole into another World, where at last he stopped and looked down below.

The Maelstrom had now webbed the entire Tree, the ropey tendrils almost obscuring its natural growth. Murphy gasped, for there was his sought for Order of Order, not the linear branches he had written in his Books, but a sprawling Net that connected each Form to all others. He could embrace the Maelstrom if it wasn’t his sworn Nemesis, so instead he smiled, and at his joy the Maelstrom was reduced, turning back into a Spider that cowered in the branches, rattling the bones of Forms that lay caught in its Web. Gasping, Murphy stepped back again. For he had not climbed up the Tree and out of a hole in the Sky at all, but had emerged from the head of another Form, one he had not seen before yet was the loveliest in this entire World. This Form was familiar, in a way his own body was familiar, but different in certain appealing ways. He called the Form Woman, and lay down like the Sky over the Earth to gaze into her eyes, which slowly opened with an equally radiant smile.

The Woman called herself Mata, and told Murphy she had just woken from the most peculiar Dream, in which a small man had climbed up from out of her insides, frightened and chased by his own frail Shadow. Murphy listened and wondered what this could mean, for hadn’t it been his World, his Dream, that was now this beautiful Woman? Perhaps there were several Worlds, endless Dreamers, of whom he was only one, and Murphy wanted to set out at once to find them all, to record all the Forms of all the Dreams that might be. But Mata grabbed his hand with such force and held him to her, so that Murphy decided to be content in her sweet embrace. And that is why the Sky rests above the Earth and does not go running off at the slightest whim and wonder. And so they lay like this, with his Eyes gazing over her entire body, learning her Details that still contained all the Forms he had studied before.
And all he saw was beautiful and wondrous, though sometimes behind Mata’s Eyes, when she was gazing off at a distant storm, Murphy thought he saw a darkness unfurling, the spinning Form of the Shadow he had left behind in that other World. For somewhere the Maelstrom was still inside her, biding its Time and weaving its Order of Orders that would inevitably consume his Books and Words. He called that Shadow Death, and though it made him deeply sad, Murphy loved Mata even more for that chaos she bore inside her chest; the necessary uncertainty of living that drove off boredom and forced him to act his best. For on the day it might strike and finally take him back into the darkness of night, he wanted to be as full of love and wonder as it was possible for a man to realize in this life.

And so Murphy and Mata lived like this, reveling in their shared Dream, and occasionally other Dreamers wandered by, whose Dreams Murphy wrote down in his Books and added to his own. And they were happy and as full of love and wonder as it was possible for them to be, and before long Mata gave birth, her body heaving with great tremors which shook the entire Earth. From between the mountains of her legs a bright being shot forth, a boy of such vigor and mirth that he might have glory over the entire World. Murphy named him Will, writing the name down on the first page of a new Book. But Mata was not done, for in her labors still struggled a second son, who after many more hours crept slowly into the World. This boy seemed weak and woeful, trembling at life and almost unable to survive. Yet Murphy saw a gleam in his second son’s ryes, a deep understanding immediately applied when the boy crawled over to the Book and began reading what had been written inside. So Murphy called the boy Wise, and that night, Mata dreamt that her youngest child would grow to take care of his father’s library, ordering all the Dreams in all the Worlds, a task of which Murphy thoughtfully approved.

As for the first Twin, Will was wild, and so full of life that they could never predict what he would get into. He was always found running around and building forts from unfinished Forms, or inventing games and songs for the children of the other Dreamers to play, who all worshipped him for his bright smile and exuberance. He even carved a Sword like his father’s and went around stabbing at dark corners, saying that he was hunting the Maelstrom, which touched Murphy’s heart, though he didn’t know what this act boded for the boy’s future.

Then one day Murphy and Mata’s neighbor, an old man named Kairos, who was said to be the most ancient of the Dreamers, older perhaps than the Maelstrom herself, came and told Murphy that he had caught Will stealing the apples from his garden. At his father’s displeasure, the youth said he only wanted to hold a Feast for the other children, especially those who did not have apples of their own, which eased some of Murphy’s anger. But Kairos was not so easily appeased, and working himself up into a divine frenzy began to prophesy that what the boy needed was to go on a Quest. But first, he cried, eyes rolling wide and foot stamping on the ground, there would be many trials. A great flood would descend, heralding the Maelstrom’s return, and all the Dreamers would have to set sail towards another Dream, filled with stone Towers hung with Webs and strange Machines, where in their tears they would forget that they were dreaming. And after several generations this dark Dream would be overcome by Wars and Flame, and only then would Will be called to his Quest: to find the Key of Remembering how to dream, to slay the Maelstrom again, and to lead the people through the Flames towards a Feast with which they would found a new Dream. And only then would the theft of the apples be atoned.

Will did not believe the old man’s Words, thinking them the raving of a madman, and promptly forgot, running off overjoyed to have evaded punishment. Murphy himself was not so unconcerned, but even he felt Kairos’s predictions to be rather absurd. He could easily have repaid the apple’s theft and then they could all continue to dream in peace, but just in case he decided to dream of a Ship that night. Wise, who had been listening quietly this whole time, wrote down the old man’s Words the way he wrote down all Words, as if they were the Truth. And then he closed his book and bound it tight, for as Mata cried over her son’s cursed fate, it had quickly began to rain.

9.15.2007

Faster than a Speeding Pharisee

I finally nerved myself up to talk to Dr. Clothey in person, which if anything will allow me to finally get some sleep and stop imagining what I might say to him. Admittedly I was a bit surprised by how unresponsive he was to the work I've done and plans for studying dreams and myth, but perhaps that was mostly due to being a bit more nervous than I expected to be and not presenting myself clearly. And when it comes to dreams, Clothey claims to not treat them as all that important, rather looking down on Jungian ideas (as well as on Campbell, for the understandable reason that Campbell has tried to draw too many broad parallels in myth without considering individual cultural differences).

However when I started asking specific questions Clothey got much more animated, particularly when it came to the topic of modern myth. I was surprised and a little pleased later to find him recycle much of our conversation into his class discussion, even touching briefly on eschatological myths. As far as modern mythemes that are active in the American landscape (his term, I'd perhaps say mindscape, or symbolscape), he tried to draw a thread from the Mesopotamian myth of Marduke slaying Tiamat and creating the world from her body, a justification of war, land ownership/division, and the concentration of power in the city-state, to our modern mythology of manifest destiny. John Wayne and the Wild West, the demonization of nature and Native Americans, the valorization of war and concretization of power in a figurehead, as we see with George Bush and Iraq, one more conquering saint against his draconic nemesis. Also interesting was Clothey's insistence on the modern myth of the "incompetent male," where once men where supposed to be like John Wayne, now they are portrayed in the media as idiots, yahoos, sexually and culturally impotent, with recourse only in "viagra and guns." Which of course made me want to consider what other sorts of mythemes might be at work to counter such a grim Babylonian vision of America. The environmental and anti-war movements were his two suggestions, though I imagine there could be much deeper mythological themes that could be brought to bear, and may be necessary in order to reorient the direction our culture is heading in...

Today Sophie asked if comic book superheroes might be part of our modern mythology, an idea that I've been pondering for years. She suggested that maybe they related to Nietzsche's idea of the 'superman,' which I thought more suggestive of the Taoist 'supreme man,' a state of self-transcendence. A good number of superheroes on the other hand repair to this world in order to save humanity or establish a new order or morality. The story of Superman paralleling the myth of Jesus, even down to them dying, extolls the need for an external salvation. Of course, many other superheroes were normal people who somehow became more than just that, and in doing a spot of research I came upon a review of a book called "The Gospel According to Superheroes: Religion and Popular Culture," where one of the essayists actually does compare Batman as the Nietzschean 'ubermensch,' and as mythologically important for the modern individual. We are asked to be no longer John, but Bruce Wayne.

Ironic, or synchronistic to all this was an odd dream last night of attending Sophie on some sort of similarly superheroesque quest she was on, complete with a large number of costume or disguise changes. Also during class yesterday Sophie called just as we were discussing the creation mytheme of demiurges and all the incarnations of the goddess Sophia.


[Edit: I'd get some sleep if I wasn't now too busy trying to track down obscure Easter Island and Aztec mythologies to figure out what to focus my paper on. No rest for the curious.]

6.08.2007

heroes of the imagination

In response to the criticism of my last entry, it was not meant to be a well thought out essay as much as a rant or ramble just to get out some thoughts that had been building up in my head. With my eminent return to school in the fall I've found myself reading more and thinking more and needing to express my ideas, even if they are not yet coherent (certianly that last entry would not be a very good school paper!) nonetheless, feedback of any sort is always welcome. I've found that I can best articulate myself by "thinking outloud" and having others say, no, that's not it at all.

That said, on the subject of how children play, Sophie and I have been talking a lot about this recently, recalling from our own childhoods how we would take whatever movies or games we were exposed to and recreate them in our own play, rewriting plots of "labyrinth" or "star wars" in order to place ourselves into the action, which listening to descriptions of modern kids playing World of Warcraft seems like is a continuing tradition. How many times have you read a book and said, I really wish I could have been there? Despite the content, or perceived lack of content, in modern play, what remains essentially the same is the use of cultural plotlines in order to offer a jumping off point for the imagination. Whether reading old mythology or playing video games referencing that old material, a child might imagine themselves in that world, in any world that is more interesting than the one they daily live in, and if this kind of play is carried out through their lives could foster a deeper internal reality later accessible for artistic excavation. Indeed that is what I've found to be the case for myself. I watched Star Wars close on a hundred times growing up, and even though the specifics of the "arthurian space cowboy" aesthetic have lessened over the years, the deeper mythological themas have continued to hold importance in my psyche, even as a framing device for other stories. I imagine that Jung and Campbell were not trying to write out specific plot lines for others to follow exactly, but to find common themes that humanity has dealt with in its attempts to create coherent narratives over the centuries, which is what made Star Wars so successful in the first place (as well as the lasting resonance of punch and judy, or tom and jerry, or whichever two antagonistic figures are swinging sticks at each other on tv these days). At heart what is present is a conflict between forces, ideas, family, the need to find a place in the Universe or a sense of meaning to one's actions. It's not so much that today's media spectacles are meaningless in a world where things were once meaningful before, but that there has never been any meaning outside of what we have given to our experiences. The fin de secle writers in France decried a similar lack of meaning at the turn of the last century, which they addressed through various surreal, existential, or symbolic means, but each one an attempt to give personal meaning to modern life.

It is not surprising that superheroes and law-detectives have become the modern culture heroes, they are the figures that people can relate to, they are the legends that strive to rise above the Everyday and take real action in the world. Even if they don't exist, their possibility is enough for some even one kid in some small town to say, I could do that one day, I could do better than that. Or we see books coming out, on the other end of the spectrum from "the Da Vinci Code," where the heroes are intentionally irreal, mythical beings and monsters, who even more than the culture heroes address real human issues of the 21st century. Anne Carson's "Autobiography of Red" retells the myth of Herakles and Garyion, as if they were a homosexual couple going on vacation together, with all the monster's issues with being red, winged and unable to address the world except from behind the lens of a camera. Or Cary Doctorow's "Someone Comes to Town Someone Leaves Town" (which I heard about last night), whose main character is the son of a mountain and a washing machine and has a set of nesting dolls as brothers, and is trying to install free wireless in Toronto (Doctorow is a large proponent of Copy Left). Despite the element of the postmodern and absurd, such characters serve to focus the attention instead on a deeper psychology or perspective of what it is to feel different in an increasingly homogenized world. That in an increasingly wired existence where everyone has a voice, and every voice sounds about the same (like a large buzz from the vanishing bees), we are all still unique, and dealing with the same sense of existentiallity that earmarks such ancient mythic texts. Indeed, the classical gods ran around drunk and fucking each other more openly than the modern culture heroes do, and were worshiped for it.

7.24.2006

mining a map of dreams

...over a large map of forests and mountains and rivers, swirling down slow until I landed beside a watchtower lighthouse on the bluff of a cliff overlooking the sea. to one side lay a low slung beach and to the other was a huge ravine between the cliff and the Vast, the large desert of ruins that lies to the north-east of the city in my dreamworld. turning i entered a large marble open air hallway, towering columns and archways and swarming with a bustle of people all dressed in dingy gray workoutfits and protective coats. i was wearing a black halflength frock coat under a large trench and tall black boots (somewhat like the outfit worn by the alchemist in "Holy Mountain") and had a knapsack with me. none of them noticed me. down the hall they were turning left into a large ampitheatre like auditorium in which the forman was explaining the procedures of the excavation and warning the new workers to keep away from the scourge, who were a bunch of freeloading outlaws who mooched off the operation and just wanted to lay around all day. at this, several members of that band scattered throughout the audience, who looked like a bunch of long haired hippies, started jeering him and goading the workers until he threatened to destroy their camp, at which they got up and left. we were each given a work suit and tools and a locker combination and told to report for the next shift. i got up and found my locker down a hall to the right, near the infirmary, the combination was 601-552 and i dropped off the outer coat and extra boots i was carrying along with the tools before going to look for the hippies, which wasn't hard as they were standing about the hallway literally aping the workers. i approached one, with long hair and large beard named john (?) and explained my mission and asked if he could take me to their camp so i could plan my next move. something about my attire and eyes swayed him. he agreed, and they led me wandering through the halls till we got out the back to where the cliff overlooked the sea. it was really a steep hill and they started down it slowly, while i decided to just slide down it spilling out near the bottom into a pile of red dust, the contents of my bag also coming loose and getting covered in the stuff. i sat down to clean them off while the scourge sat around me and out of the bag fell a round red coin (or ball) which rolled in a perfect clockwise circle around us. john, who was sitting opposite, smiled and joked that i was casting a circle. i shrugged and he suggested i should probably talk to mambie (?) since i was one of "those ones". he led me through a grove of palm trees to a wicker hut on the beach. inside was like a storehouse hung with food items, fruit, fishing nets, etc... in the back was a smaller room also crammed with stuff, but of a strange and voodoo-like nature. laying on a cot by the wall was a young woman who seemed incapable of getting up. around her stalked a yellow catlike creature that seemed to be made more of liquid than flesh and bones. i approached, and she began to explain to me the nature of their tribe, how they had a somewhat symbiotic relationship with that of the mining operation (though in what way was left unclear) and that her community felt she was more a burden at this point since she lost the use of her legs, even though she was the one who predicted the tides of the dunes and sea which dictated both were they would move next and which ruins would be uncovered. as she talked she unshelled seed after seed and tossed them in a large basket/ pot in which was the pulp from what must have been an enormous amount of cantaloupes. she seemed sad because they would probably off her soon and she suggested i get out of there before i was recruited in her place. on the way out she pressed several tattered pages into my hand.

back at the watchtower i examined the pages, which turned out to be several maps. the first, which i got the best look at, was of the cliff face below the tower marking out all the tunnels and bridges that had been carved out of the side of the ravine. the others were of the beach and the desert ruins. i quickly stuffed them in the pocket of my jacket as a bell rang, and hurried back to the auditorium for the next shift meeting. there i ran into M, wearing only a leather bra and leggings who was laughing and teasing the workers, i tried to see if she knew anything about what was going on at the dig site but she was too distracted. several other strangely attired characters filed by. soon the meeting was over and i went back to the locker room and entered my combination. however, since i hadn't reported to the shift (i assume this is the reason) the locker imploded and destroyed my belongings. for a moment i tried to entertain that it was the wrong locker, but no i was out of luck and thought i would have to give up my plans. but then Spat came up and gave me his tool bag and told me he'd find me a coat since it was deathly cold out on the Vast. he did so and i geared up in the leather work outfit, strapped all the equipment on and placing the goggles tight on my eyes clambered down the south side of the cliff and out onto the desert. towering dunes of stark sand, craggy cliffs and a biting wind, in the distance ancient crumbling structures swam, old marble and caryatids decimated by the centuries of sandstorms. checking the maps i pulled myself together and began to walk... and then woke up.

3.25.2006

for the poets of pittsburgh ought 6

all my heroes don't give a fuck
they laugh at all the wrong moments
cry at all the right ones
and dance everywhere like you can't
find freedom outside loose limb flying.

all my heroes say exactly what's on their mind
whenever the mood strikes hot
pour out their most intimate tragedies
and delirious sexcapades without a beat
unmediated by microphones beer bottles
and if they break hearts or bruise egos
and everyone gets up and walks out disgusted
the more power to them.

all my heroes ask how are you doing
and expect an honest answer
not just "oh good, you?"
they wear armor around their private hearts
but aren't afraid to take it all off
when push comes to love.
they wear glitter and dresses in public
and shine around the edges of normalcy.

all my heroes are assholes, ghosts
and self proffesed deitites who read Ayn Rand
but didn't buy the bullshit. Dagney Taggart
was a bitch but she didn't compromise her line
for anyone, they were all just grey fading.

all my heroes are on drugs or in asylums
or crushed by poverty and boredom or dead
young but didn't let that stop them
wore their fingers raw to rub out
genius in a few aching lines
of explanation no one ever understood
cuz it was never about that.

all my heroes live in attics and let
their dreams stray onto the roof tops
with the cats hunting pigeons for fresh air.
they talk to old men in bars break all
the laws let themselves be crucified
by their peers never apologize for doing
whatever they want and coming back
to do it again and again.

all my heroes don't give a fuck
and when I believe in them
neither do I.

9.09.2005

heroes underground

"The great heroes, the mythic heroes of our times are going to be the rock and roll musicians and the dealers... you know you're on the right track in the pursuit of freedom and ecstatic pleasure and God if you're in trouble with the law, and if you're not you have to worry a little bit."

-Timothy Leary, from The Delicious Grace of Moving One's Hand

9.06.2005

beatitude

Beatitude
for those who howl at the storm [published in a journal to benefit survivors of Katrina]



Bless this mess.

Bless beat up beat down street cats, homeless black flag crossed refugee country angels on tilt.

Bless state orphaned looters broken down with survival-era heroism and no first aid kitchens.

Bless victimized victors vanquished on imminent emergency response time
natural disaster terror threats and hands in everyone else’s pockets.

Bless poor and presidents, every person a star and every star three squares and a roof.

Bless incorporate wage slave desperados, t.v. commercial babysitters, executive burger flippers, consumer culture customers on the skids.

Bless hungry ghosts haunting wrecked weekend getaways and goodwill dumpster ghettos on their last sick day paychecks.

Bless bedraggled airline stewardesses afraid of matchbooks, box cutters, and tennis shoes, whose only sense of home is checkerboard farmland highways, and micro slot machine suburban sprawl terminals.

Bless brawlroom baristas and coffee dive waitstaff struggling under dishwater tobacco crumble tip jars. Just because they’re behind that counter doesn’t mean they’re not human too.

Bless pimped up street jugglers and dead city escape artists turning tricks for body and soul to pay rent, car insurance, and student loan sharks.

Bless crimethinking freedom schemers who gave up the 9 to 5 to run amok and lease life forever.

Bless peyote hyped interconnecting white shamans chasing Don Juan sundance daydreams across all borders.

Bless flesh-happy renaissance burning men looking for a high noon love all alternate reality fix.

Bless Pabst-smeared punk road warriors fighting through drunk culture haze for an immediate reality fix.

Bless broke gas line drivers waiting for an alternative fossil fuel fix, and giving up to ride bikes off into the chemical sunset.

Bless millionaire junky patrons and their visionary anarchist precious krylon field painters.

Bless transcendent bumrush superheroes screaming schizophrenic saxophone rooftop rage times and dancing like their revolution already came.

Bless scumfuck outlaw hobos hopping midnight railways and dead end super shoulders to escape suburban driveway destinies.

Bless transgendered and transvestite rioters screaming "Give us marriage licenses or give us death!" before getting beat up by cops and moving to Quebec.

Bless old beat jazz hipsters still blowing back alley blues brotherhoods.

Bless mirror ball DJ pirates rocking late night airwave triphops for the few lost souls who still tune in.

Bless gonzo journalism deep throats shot fear and loathing into inner space daring the rest of us to follow.

Bless radioactive freakshow faeries who give a patched glitter fuck all
for their blatant lack of pop-fashion etiquette.

Bless new age hippy witches growing gardens in abandoned mine fields, selling herbal tonics, lucky charms, and carrots on the street between teachings on natural abortion techniques and yoga.

Bless urban alchemists and ultraculture iconoclasts building shrines to dead post-post-modern deities in the trash heaps
and envoking quantum storybook utopias for world peace.

Bless sci-fi Columbian poet taxi drivers building earth ships, underground railroads, and farms for their families to live on, while they drive drunken nights home.

Bless political prison cell penpals incarcerated for no crime but being young, black, and high on life. Possession of passion now warrants D.A’s death chair.

Bless lonewolf madmen hermits living on Christmas tree farms and under train bridges, crying softly for the end of the world to come back home.

Bless lovers fucking lovers over and over, lovers using losing scripts, using each other to forget themselves, lovers clinging to moonbeam memories and yesterday’s dirty dishes, lovers laughing to stay alive.

Bless bastard love children of rainy day DIY mothers, raised in city to city punk show communities and never knowing their father’s sins.
They are the future.

Bless strung out children middle-classed on ADHD, MTV, domestic violence and too many sugared cereals, who learned about sex drugs and rock and roll in elementary school bathrooms. They are also the future.

Bless text messaging teenage bloggers tapping collective conscious cyber-rumors in their edge city isolation, just to talk to someone, anyone, before signing off for 6 a.m. bedtimes.

Bless outcast high school trenchcoat gangstars shotgunning blacktop bully vendettas, taking everyone out with them because they didn’t get enough attention at home.

Bless middle-aged soccer moms putting on make-up to join blockbuster cults of split personality.

Bless tubefed grandmothers dying for the only forgotten piss-soaked rest home they never believed in and wondering which of their divorced children’s children they’ll never see again.

Bless bearded Italian grandfathers buried in last simple century but still getting up each morning to wander sidewalks and rue the latest chainstore megamall.

Bless burnt out industrial revolt cities choking on exhausted workforce smokebombs while the next generation flees to even bigger bitter metropoli.

Bless dirty pigeons pecking through candy wrapped gutters with the zombie bums and alligators for a bite to eat.

Bless spring weeds cracking concrete soot factory parking lots.

Bless cemetary deer tribes dreading helicopter search engine lime lights.

Bless stars spinning dizzy ozone layer degradation night terrors, spinning ancient stories we no longer hear through air pollution street lamp cacophonies.

Bless amazing disappearing rainforests, zen praying monkeys, factory farmed mutant chickens, beefalo, oilslick oceans, drug commercial spiders, humans in New York zoo exhibits, genetically modified square watermelons, and the rest of our semi-intelligent designs.

Bless kneejerk allergic reactions to dairy, peanuts, carbon monoxide, white noise advertisements, and society in general.

Bless psychiatrists and pediatricians and insurance lawyers who can no longer tell the medical industry’s id from its super ego for all the Prozac they snort between patients.

Bless psychic bunker t.v. evangelists pushing pastlife redemption alien saviours and clean teeth that will never come.

Bless Hollywood armageddon backdrops, hallowed gaschamber headlines, fnjords, and unreported tsunami hangovers.

Bless third world distended bellies, starving AIDS epidemics dispossessed and in debt to manifest destiny dinosaurs.

Bless the damned, for we have already inherited the earth.

Bless Mammon, whore of Babylon’s oil pumped mammary glands.

Bless bullet manufactured civil janitor policemen, rank and filed to kevlar, tasers and fear of a black and red world, who throw down their badges and join the looters in the street.

Bless war mongrels and scare managers who threw down their own get rich quicker dreams to fulfill the system’s slick annihilation fetish fantasies.

Bless soldiers fighting soldiers fighting to stay alive, chained to command structure identity strippers killing mothers under star spangled bombers. Bring our children home.

Bless terrorists fighting history fighting to stay alive in caves and palaces and on your street. The Earth is their home too.

Bless suicide bombing religious extremists exploding limbs all over their father’s evacuated homes, apartheid walls and resurrected temple mount pipe line revelations.

Bless patriarchal psychophants tilting at Che Guevera disciples tilting at windmills for their miserable people’s freedom.

Bless the goddamned pope, even if he was a fucking nazi.

Bless Coca-Cola fueled dictators and IBM funded death squads, all oppressed oppressors and those who rise up to throw out the dirty pocket change of corporate democracy.

Bless America, bastard hate child of civil rights revolutions and pogroms. You never knew your parents, poor thing, no wonder you can’t let the rest of us just be. Bless you.

Bless us all.