Continuing research on 'the aesthetic', Alberto and i finally found the collection of Brothers Quay short films at the Dreaming Ant. what words can i give to this? sheer genius, the stuff dreams are made of... intricate machines filled with strange tinketry, dirty mirrors, living dolls missing half their heads, objects that have a life of their own, moving in a jittery buzz like mechanical bees, the little gremlins engineering the contents of our nightmarish sleep. each vignette seems utterly familiar, yet inexplicable. as soon as you almost understand what's going on the lights drop to that dream blue, the camera fades, blinks, fuzzes out, and the mind slips off comprehension. sheer genius, mastercraftsmanship, perhaps they sold their souls to the dark side...
one of the shorts, more explicit than the rest, was a historical lesson on the artistic technique of anamorphosis, used mostly in the 16th century, the couching of one image in another image so that it is only perceivable from an unconventional vantage point, full figures popping out of landscapes when looked at from the side. mesmerizing, and i begin to wonder how it is possible to achieve this effect linguistically, not just some code or cryptology concealing information in the letters and words themselves, but in the images, and themes. an enhanced symbolism where what is said is really a veiled allusion to something much deeper, that you would almost have to put your eyes parallel to the page to read... much the way that dreams function in the subconscious.
walking back at two in the morning, i was confronted by the surreality of sirens, flashing red and blue lights, a mass of ambulances and cop cars on the corner of liberty, a body being dragged in the light rain. flickering streetlamps. i shuddered. last month after watching Holy Mountain w/ alberto i witnessed a man sprawled out on the sidewalk near the hospital, one shoe off and the sock laying withered on the bricks and two security guards moving the van he was laying behind. and now this. it turns out a man was shot at the ATM last night, three times in the head. i can't help but think it is some reminder from the universe that though i am trying to be patient with this work, shit does happen. and two blocks from home. or that the act of creation on one person's part balances out with destruction and violence down the street. i am reminded of alberto's horror several years ago, in realizing that everything we do has an intimate affect on the world around us, every negative thought, every moment of doubt and disturbed anger ripples out like we're tapped into (or trapped in) some plane of crumbling energies. all the more reason to create, to sing, to smile at strangers, to live...
9.23.2006
strapped to a gearwork nightmare
Labels:
Almarza,
Bros Quay,
inspiration,
personal narrative,
process
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