11.10.2006

street of dreams

"I do not know just how in childhood we arrive at certain images, images of crucial significance to us. They are like filaments in a solution around which the sense of the world crystallizes for us... They are meanings that seem predestined for us, ready and waiting at the very entrance of our life... Such images constitute a program, establish our soul's fixed fund of capital, which is alloted to us very early in the form of inklings and half-conscious feelings. It seems to me that the rest of our life passes in the interpretation of those insights, in the attempt to master them with all the wisdom we acquire, to draw them through all the range of intellect we have in our possession. These early images mark the boundaries of an artist's creativity. His creativity is a deduction from assumptions already made. He cannot now discover anything new; he learns only to understand more and more the secret entrusted to him at the beginning, and his art is a constant exegesis, a commentary on that single verse that was assigned him. But art will never unravel that secret completely. The secret remains insoluble. The knot in which the soul was bound is no trick knot, coming apart with a tug at its end. On the contrary, it grows tighter and tighter. We work at it, untying, tracing the path of the string, seeking the end, and out of this manipulation comes art..."

and

"The Demiurge has had no monopoly on creation, for creation is the privilege of all spirits. Matter has been given infinite fertility, inexhaustible vitality, and, at the same time, a seductive power of temptation which invites us to create as well. In the depth of matter, indistinct smiles are shaped, tensions build up, attempts at form appear. The whole of matter pulsates with infinite possibilities that send dull shivers through it. Waiting for the life-giving breath of the spirit, it is endlessly in motion. It entices us with a thousand sweet, soft, round shapes which it blindly dreams up within itself."

-Bruno Schulz, author of "The Street of Crocodiles"

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