The Future of Religious Studies

I just had my last talk with Dr. Clothey before the end of the semester and his return to retirement. He mentioned that he has a few more books left in him, including a collected essays on mythology that sounds intriguing, and we debated a little about boundary situations, the need for religious studies to branch into other fields such as literature and music (as well as into other cultures than the current fascination with Hindu and Judeo-Christian religions), modern atheism vs. spirituality, and the necessity of balancing historical vs. comparative studies (a topic that has been increasingly engaging my mind as I struggle to figure out just how it is possible to still give credence to the occurrence of religious phenomena for a particular people while at the same time attempting to understand deeper structures or meta-symbols that may occur throughout human spiritual experience). While Clothey seemed particularly glad of my interest in this field he seemed a bit saddened by the state of Religious Studies both at Pitt and through other Universities. Though many of these programs are growing, most of the interesting journals no longer exist, and any of the really interesting people to study under are either retired or retiring. Furthermore, he suggested that it might be difficult to get a job in the field without a specialization in some particular culture, and even then it's certainly not something to do for the money. Of course, I'm not fascinated by spiritual narratives because I think anyone will pay me to look at them, rather because I think there is something of inestimable value to be learned that may still be useful to understanding human experience, even if this means having to puzzle through all this myself. Thank goodness there are libraries.

Before our talk I checked out "The Forbidden Forest," Mircea Eliade's epic novel which weaves together in a narrative many of his thoughts on myth and symbol, and was quite pleased to find these thoughts in his introduction, which seem to sum up so much of my own desire to study narratives of dreams and beliefs:

"...literature is, or can be, in its own way an instrument of knowledge. Just as a new axiom reveals a previously unknown structure of the real (that is, it founds a new world), so also any creation of the literary imagination reveals a new Universe of meanings and values. Obviously, these new meanings and values endorse one or more of the infinite possibilities open to man for being in the world, that is, for existing... The specific mode of existence of man implies the need of his learning what happens, and above all what can happen, in the world around him and in his own interior world. That it is a matter of a structure of the human condition is shown, inter alia, by the existential necessity of listening to stories and fairy tales...

"Quite as revealing in my view are the experiments carried out... in connection with the psychology and physiology of sleep... they confirm the organic need of man to dream- in other words, the need for "mythology." At the oneiric level, "mythology" means above all narration, because it consists in the envisioning of a sequence of epic or dramatic episodes. Thus man, whether in a waking state or dreaming... has need of attending upon adventures and happenings of all sorts, or of listening to them being narrated, or of reading them. Obviously, the possibilities of narrative are inexhaustible, because the adventures of the characters can be varied infinitely. Indeed, characters and happenings can be manifest on all planes of the imagination, thereby making possible reflections of the most "concrete" reality as well as the most abstract fantasy...

"...man- is continually fascinated by the chronicling of the world, that is, by what happens in his world or in his soul. He longs to find out how life is conceived, how destiny is manifest- in a word, in what circumstances the impossible becomes possible, and what are the limits of the possible. On the other hand, he is happy whenever, in this endless "history" (events, adventures, meetings, and confrontations with real or imaginary personages, etc.) he recognizes familiar scenes, personages, and destinies known from his own oneiric and imaginary experiences or learned from others."